[The Ghost of Wind – ZE:A | Shazam

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Through its shoegaze guitar loops and home-movie aesthetics, the song depicted the very real emotion of being left to flounder with the memories when someone leaves. As UK garage regained popularity in its home country with artists like Disclosure, K-pop acts started adopting the sound too. The subtle shifts in the throbbing beat channel the sensual energy of nightclub pursuits, where getting lost in the music goes hand in hand with getting lost in someone else.

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Life can be confusing and unpredictable in its unwieldy journey. There are moments of fear and disappointment and sadness amidst those of deep, genuine love. Their ninth single is a remix splicing two B-sides that leap-frog across the song structure.

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ZE:A discography – Wikipedia – Post navigation

 
Taeyeon feat.

 

제아 – 바람의 유령 (Ze:A – The Ghost of Wind) Offical MV on Make a GIF

 
Damyanti Biswas For lovers of reading, crime writing, crime fiction. Billboard is a part of Penske Media Corporation. Categories : Discographies of South Korean artists K-pop music group discographies. The MV starts off chaste enough as old film captures wholesome moments at home. Share this: Tweet. In general, the wardrobe was good for the video, with a few things that could have been better.

 
 

ZE:A “The Ghost of the Wind” Music Video Review – K-POP On My Mind – Artists / OSTs

 
 

A shining example of the genre-less freedom K-pop artists can have in their singles, FTISLAND switched up their usual punk and heavy-rock sound by infusing it with Spanish guitar and a twist of tango. EXID had a few ups and downs after a promising debut, but the sleeper success of this trip-hop, trumpet-infused extravaganza was the perfect prelude to the new version of the quintet.

From drumline divas to tap-dancing vamps , a shape-shifting girl group like After School cannot be tied down to one to one sound, but the outfit undeniably shines when they embrace a sentimental concept.

After a seismic split led to an unclear future for TVXQ! This is a song about mustering up the courage to tell someone you love them, and every bit of instrumentation showcases the varying concomitant emotions. Layered choruses soar, culminating in the swaying call-and-response of breathy harmonies and taunting chants. The act served up one of the most fun and vengeful breakup tracks ever, as they pray for the object of their affection to meet someone just as terrible as they are.

AOA hey! R , This Zico-penned single is a patchwork of sounds that weaves electro-pop, funk rock, and rap breaks together. All of this leads to the bittersweet moment of the boys reuniting, when they finally move on together. In this journey of growing up, you never walk alone. The beast-dols flipped the script on the gendered connotations attached to sexy concepts, delivering an iconic chair dance complete with delicate hip swaying. The Pentagon members capitalized upon their talents — songwriting, producing, performing — to give us pure fun when we needed it the most.

IU feat. Mamamoo are at their best when they balance their flashy vocal chops and jazz-inflected instrumentation with a healthy dose of playfulness. But during the pre-choruses, they let their guard down to deliver heartfelt confessions that reveal how much their lover means to them — at one point, so much so that it makes them anxious.

You can sense the butterflies in their stomachs. It could have been a one-off experiment, and the resulting success would have been chalked up to good fortune. But this track was the proud declaration that this new Apink was here to stay. They may be seasoned players in the industry at this point, but their latest single proves that experience does not equate to comfort-zoning yourself into complacency.

Most remarkable, however, is how tactile the sonic and visual layering of the song is — touching on the softness of each member before swelling into a sweeping chorus of harmonies. The Perfect Red Velvet, indeed. This song resuscitates the era of Fiorucci with a quirky melody and a chorus that rolls around in your brain long after one listen. K-pop songs rarely sound this flirty.

Mnet irrevocably shook up the K-pop industry with Produce — and Wanna One became the central showpiece of the entire series. The choreography calls for a human piano , as the song starts out as a ballad then lifts off into a high-octane dance cut. Brown Eyed Girls have spent their decade-plus time together pushing musical boundaries, but they truly outdid themselves here.

The track opens with the women readying for battle with cinematic strings backing liberated declarations to the call-and-response chorus. Through his quiet revolution, Zion. T has proven himself to be a nuanced artist with the singular ability to be in tune with human emotions. Almost childlike in its lyricism, the song reads like a love letter to his father, who spent his days driving a taxi up and down the Yanghwa Bridge, trying to provide for his family.

After all, this three-for-one deal play pieces of sushi in the surreal MV. Make no mistake, they were in on the absurdity of their concepts, which only intensified their shine. But when the chorus kicks in, effervescent jazz instrumentation snaps you back to reality, or at least a simulacrum of one. Do it again, but even better. The decade-defining girl group solidified their legacy with this gooey synth-pop track that created a new go-to phrase for K-pop fans worldwide.

Snappy synths and surf guitar rush to meet you right at the outset. In the song, she wields her sultry drawl as a weapon, letting every word spill out of her mouth with a knowing sense of power. Archived from the original on February 11, August 11, Archived from the original on August 8, September 1, Archived from the original on May 8, December 15, Archived from the original on November 3, March 30, August 10, Archived from the original on July 10, August 17, June 7, Archived from the original on January 3, September 8, Archived from the original on August 30, December 22, Archived from the original on July 11, Archived from the original on July 27, August 24, Archived from the original on April 29, Archived from the original on August 2, Archived from the original on October 20, Archived from the original on February 23, Archived from the original on August 15, Archived from the original on September 27, Archived from the original on December 8, Categories : Discographies of South Korean artists K-pop music group discographies.

Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Having the ghost finally touch her and then immediately end the video was so dramatic and ended the story amazingly.

I loved it. The rest of the video would have been a lot better if there were less scenes of them singing and more of the story and the girl interacting with the ghosts. I liked the white suits the best.

They looked very neat, and gave ZE:A the impression of mysterious story-tellers, which is exactly who they are as the singers of the song.

The other dance scene suits were okay, but I thought the pattern was a little too busy. I really liked all the accessories though, and the story suits looked really good on the members. In general, the wardrobe was good for the video, with a few things that could have been better. So much of this dance was just amazing. I absolutely loved how the dance started and ended. The member formations were incredible and as a unit, ZE:A made really cool images with their dance moves.

The entire first verses and the chorus were really good too. The way each move led into another was exceptional. Ironically, the dance break was my least favorite part. It was still pretty good, but not as entertaining as the rest of the dance was. I just wish the main arm raising move looked a little more epic and a little less like the members making a rainbow with their hands. That is such a small thing though. Overall, it was really, really good.

Overall, I was happily surprised with this video. The song was the best part for me, but the dance was pretty good too. You are commenting using your WordPress. You are commenting using your Twitter account. You are commenting using your Facebook account. Notify me of new comments via email. Notify me of new posts via email. Part of me wants to spare you the details.